In September 2004 I moved to Italy to take up the Sainsbury Scholarship in Painting and Sculpture at The British School at Rome. During my MPhil I had also developed a digital archive of images taken from various sources which served to both inform and accompany my practical and written work. Once in Rome I took this further, developing this working practice into the paper museum, an ongoing project that collects, sorts and catagorises objects collected in the form of their representation. During my MPhil I had examined cloud as a device in visual representation, and how often it serves to form a link between the realms of the earth and heaven . I became interested in the way artists, particularly of the baroque period, have approached the problem of representing through physical means- whether in paint, sculpture or even architecture- the felt experience of a communication with the unseen and unseeable. While in Italy I took every opportunity to visit churches, monuments and collections, looking at the modes and methods employed in the representation of both visual experience and imagination. |
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| Right Copies Left 1 and 7 of series of 8 (left drawn, right traced with eyes crossed) ink on paper 33x24cm May 2005 These drawings were made as part of an exploration into the nature of double vision. I first made a simple drawing on the left of the page, then crossed my eyes so that I saw a pair of images. I held this view, and traced the 'phantom' image where it appeared to the right, creating a weak, awkward echo of its confidently drawn original. 1 of 10; next |